Tad Ermitaño

Director | Editor | Music | Sound | Visual Artist

Tad Ermitaño (May 1964) graduated from the Philippine Science High School in 1981, studied Biology at the University of Hiroshima, and holds a Bachelor`s degree in Philosophy from the University of the Philippines. He trained in film and video at the Mowelfund Film Institute and currently designs and mixes sound for digital features and produces video for projection in a variety of stage/concert contexts. He is a media artist and was the sole Filipino artist exhibiting at 20th anniversary of ISEA in 2008 (Main Juried Exhibition) and the Ogaki Biennale 2006 New Media Festival. His single-channel videos are distinguished by an audiovisual sensuousness underpinned by a logic that reflects his training in philosophy and the sciences. Included among these single-channel works are Sausage, The Retrochronological Transfer of Information, and Hulikotekan v. 2.1, the last two of which have been screened at a number of international festivals, including the Yamagata International Documentary Film Festival and the Hong Kong International Film Festival. His facility with a broad range technologies has led to his exploration of computers, programming, and electronics to manipulate sound and video in real time. He also performs audiovisual pieces, both solo and as part of the experimental media group The Children of Cathode Ray.

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filmography

... 1990

... 1995

Biography of

Tad Ermitaño

Tad Ermitaño (May 1964) graduated from the Philippine Science High School in 1981, studied Biology at the University of Hiroshima, and holds a Bachelor`s degree in Philosophy from the University of the Philippines. He trained in film and video at the Mowelfund Film Institute and currently designs and mixes sound for digital features and produces video for projection in a variety of stage/concert contexts. He is a media artist and was the sole Filipino artist exhibiting at 20th anniversary of ISEA in 2008 (Main Juried Exhibition) and the Ogaki Biennale 2006 New Media Festival. His single-channel videos are distinguished by an audiovisual sensuousness underpinned by a logic that reflects his training in philosophy and the sciences. Included among these single-channel works are Sausage, The Retrochronological Transfer of Information, and Hulikotekan v. 2.1, the last two of which have been screened at a number of international festivals, including the Yamagata International Documentary Film Festival and the Hong Kong International Film Festival. His facility with a broad range technologies has led to his exploration of computers, programming, and electronics to manipulate sound and video in real time. He also performs audiovisual pieces, both solo and as part of the experimental media group The Children of Cathode Ray.

Photos

No photos to show.